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Clade Song 15 Left Weasel

Clade Song 15

The Dog Ouroboros

What is it about poets and dogs?
I hate dogs, and even more, I hate poems

about dogs. I’m with Fields (W.C.), I never
want to be in a poem with a child or a dog.

Dogs are pack animals, and worse, they
cravenly accept their place in the pack.

I’m a cat person, solitary, nocturnal,
predatory. When my kids said they had

to have a dog, I said no. Kids are bad
enough (see Fields, above), but dogs?

Invite them into your home, and the already
unmanageable chaos of family life gets

doubled, tripled! Who walks the dog?
Who feeds it? Who gives the damned

thing its water? Oh, the kids will swear
on an imaginary stack of Bibles -

“We will. We will!” Don’t believe them,
they’re liars, the little shits. It’s mom,

or more likely dad, who walks the dog,
baggie in hand, picking up the poo.

That’s why I hate it when the dog picks
me to be nice to. Growling angrily

when I enter the door, I accept that,
I understand it. This is his turf, and I

don’t belong here. Even a coyote
howls when it’s time to feed him—

that’s survival, and I understand,
even with the ringing in my ears!

But when he crawled onto my lap
this morning—I wasn’t doing anything,

just watching English football
in the darkest hours of the morning,

nothing to invite him—
but there he sat, fetal coiled,

warm and furry, waiting to be petted,
this hapless, unwanted pet, rescued

from the mean streets of rural
California, rough hued, grimly proprietary

of his pack, I mean his family—I mean
my family. It was cold. That’s my excuse

and I’m sticking with it. Better a dog
as lap warmer than turning on the

furnace and widening my carbon
footprint, already triple-E. Dumb

animal, that’ll sit on any lap,
waiting for a caress, the way

the dumb land waits for rain.

 
Clade Song 15 Right

Lee Rossi

Ted Kooser says, "I want my reader to just simply go right through the screen of the words into the experience." But I say, what about the screens in an Orthodox church, the icons behind which the priest conducts his secret negotiations with God? I prefer, I think, the misleading beauty of the icons, so much like the misleading poetry of words, behind which all the mysteries gather in their enormity.