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Clade Song 15 Left Weasel

Clade Song 15

 
music by Tim Kahl

Electrotonic Decay in the Trophic Web

The squid, pale as lunar exhaust, curls backward through the inked strata
    of a cooling reef shelf, its axons thick—giant-fiber bundles
    optimized for speed, the evolutionary luxury of
                            escape.
But even these
    long-voltage conduits suffer from electrotonic decay:
          passive signal loss over distance,
    attenuation by leak current,
          as sodium channels grow sparse at branching nodes.
This is not metaphor,
    but physics. The body forgets its own order
          when length exceeds charge,
                   and signal becomes silence
          in the limb that was meant to flee.
Somewhere higher in the column—
    a gannet mistimes its dive
          into a dead zone where herring should be,
    a fox circles the shed where the last mouse
          was caught weeks ago
                    and the wheel keeps spinning
                    in the abandoned live trap.
Synaptic vesicles do not fire
    when the calcium gates stay shut—
            and the estuary chokes
               on nitrogen runoff from ghost soy.
This is how systems go quiet.
    No catastrophe. Just:
                    less.
                    Until no one responds
    to the predator’s shadow. Until even pain
                          fails
    to register
                 in the axon’s stuttering reach.
I was taught
    that the web is trophic, not poetic.
    That energy moves downward
                  from sun to grass to ruminant to fang.
But that’s not the whole
    of it. There are signals too—
                neural, semiotic, microbial—
                and those signals
                        die
    first.
Before the lungs seize.
Before the mouth foams.
Before the keystone falls.
The signal
    is already too far gone
          to fire the final twitch
                that might have warned
                   the whole
                    structure.

 

 
Clade Song 15 Right

Joseph Randolph is a writer and artist from the Midwest, working across prose, poetry, painting, and experimental music. His books include Vacua Vita, Sum: A Lyric Parody, and The End of Thinking: Recursive Opacity & the Cryptography of Thought. His debut novel, Genius & Irrelevance, is currently out for publication. He was awarded second place in the Bath Flash Fiction Award, and his poetry and stories have appeared or are forthcoming in Unlikely Stories, Overgrowth Press, Cartridge Lit, and elsewhere. Music is streaming; paintings are on Instagram @jtrndph